Monday, February 25, 2008

Viva Obama!

Amazing. I've never seen such wonderful music come out of something as dull as a presidential primary. It really does start to give me hope...



Also by way of Professor Zero, check out the Obama Jukebox for more election inspired music. Just amazing.

Wednesday, February 13, 2008

Older

Today marks the one-year blogaversary for Lumpenprofessoriat. With 127 posts and 10,133 visitors to date, it seems like it has been a pretty good year to me. And to mark the passage of this eventful year in cyberspace, here's a video for you from They Might Be Giants:



They Might Be Giants, Older

You're older than you've ever been
And now you're even older
And now you're even older
And now you're even older
You're older than you've ever been
And now you're even older
And now you're older still

Time is marching on
And time is still marching on

This day will soon be at an end
And now it's even sooner
And now it's even sooner
And now it's even sooner
This day will soon be at an end
And now it's even sooner
And now it's sooner still

You're older than you've ever been
And now you're even older
And now you're even older
And now you're even older
You're older than you've ever been
And now you're even older
And now you're older still

Monday, February 11, 2008

10,000 Years

Since I had already posted the Barack Obama "Yes We Can" video, in the interests of equal time I thought I would also post this music video of John McCain speaking:

Wednesday, February 06, 2008

This Thing That We Do

I've been tagged by Philosophers' Playground with the teaching meme. There have already been so many varied responses to this question of why we teach the things that we do, that I won't begin to be able to respond to all the different issues raised. So I will simply pluck at one or two of the strands of this far-flung discussion that resonate with my most recent teaching. This past week I have been teaching Marx and Zizek. Why?

I'm tempted to simply answer: "Because that's what I've been hired to do." The job aspect of teaching in the academy sometimes tends to disappear behind the presumed pleasures of teaching. After all, any job that pays this poorly must be a labor of love, and variations on "I love teaching" have been one of the most frequently recurring themes in response to this meme. Exceptions to this can be found in posts from Professor Zero and The Little Professor (along with a response at HTUW) who both express their ambivalence about this love of teaching. But even those who profess such a love will, I think, admit that on at least some days love is the last thing they feel in the classroom. This would be the Marxist answer in me. I teach because that's the place within the current social division of labor where I can best sell my labor-power. Every other reason for teaching tends to melt away when confronted by this simple economic fact.

However, one of Slavoj Zizek's oft repeated riffs is on the ways our culture has forced us to internalize our duties such that not only must we do them, we must enjoy them as well.

Superego is the reversal of the permissive "You May!" into the prescriptive "You Must!", the point in which permitted enjoyment turns into ordained enjoyment. We all know the formula of Kant's unconditional imperative: "Du canst, denn du sollst". You can do your duty, because you must do it. Superego turns this around into "You must, because you can." ... The external opposition between pleasure and duty is precisely overcome in the superego. It can be overcome in two opposite ways. On one hand, we have the paradox of the extremely oppressive, so–called totalitarian post–traditional power which goes further than the traditional authoritarian power. It does not only tell you "Do your duty, I don’t care if you like it or not." It tells you not only "You must obey my orders and do your duty" but "You must do it with pleasure. You must enjoy it." It is not enough for the subjects to obey their leader, they must actively love him. This passage from traditional authoritarian power to modern totalitarianism can be precisely rendered through superego in an old joke of mine. Let’s say that you are a small child and one Sunday afternoon you have to do the boring duty of visiting your old senile grandmother. If you have a good old–fashioned authoritarian father, what will he tell you? "I don’t care how you feel, just go there and behave properly. Do your duty." A modern permissive totalitarian father will tell you something else: "You know how much your grandmother would love to see you. But do go and visit her only if you really want to." Now every idiot knows the catch. Beneath the appearance of this free choice there is an even more oppressive order. You seem to have a choice, but there is no choice, because the order is not only you must visit your grandmother, you must even enjoy it. If you don’t believe me, just try to say "I have a choice, I will not do it." I promise your father will say "What did your grandmother ever do to you? Don’t you know how she loves you? How could you do this to her?" That’s superego. On the other hand, we have the opposite paradox of the pleasure itself whose pursuit turns into duty. In a permissive society, subjects experience the need to have a good time, to really enjoy themselves, as a kind of duty, and consequently feel guilty for failing to be happy.
This passage also resonates for me with much of Limited, Inc.'s ongoing interrogation of the pursuit of happiness as a new and strangely misplaced goal of life.

Teaching Marx and Zizek provides me with a way to raise these issues for my students who also face a similar bind of being forced first to take classes, and then forced to enjoy them. After all, why would someone pay all that money and spend all that time reading and studying subjects they don't enjoy?

I confess, I enjoy this part of my teaching. D'oh!

Rather than tag new victims and require them to respond to this meme, I'm simply going to ask for volunteers. If you would like to respond to this meme, just leave a comment below with a link to your post. Of course, you only have to respond if you would enjoy it...

Tuesday, February 05, 2008

Lecturers for Obama!

Here's a 20 minute lecture from law professor and internet studies scholar Lawrence Lessig in support of Barack Obama. I like it very much, but I know I'm perhaps more tolerant of this format than most of the electorate.

Happy Mardi Gras and Super Tuesday!

Happy Super-Fat Tuesday! In the spirit of the day, here's the Neville Brothers singing Sam Cooke's "A Change is Gonna Come." I think it works for both days...

Sunday, February 03, 2008

Yes We Can Sing

Here's a wonderful music video by will.i.am of the Black Eyed Peas of a Barack Obama speech. A candidate whose campaign speeches inspire this sort of response is truly an amazing thing.

Here's a recent endorsement from The Nation's Katha Pollitt that echoes my own sentiments about Barack Obama:

But Obama is a candidate in a different mold. He's a natural politician who connects with people as Hillary Clinton, for whatever reason, just doesn't, and appeals to the better angels of their nature. He sparks an enthusiasm in people -- independents, the young, the previously disengaged. An Obama victory could have big positive repercussions for progressive politics.
And one sign of that enthusiasm is simply the passionate art (below) and music (above) that he is inspiring already. And this is just during the primaries. November may be truly amazing.

Wednesday, January 30, 2008

Magical Girls for the Masses

For the past few weeks, I've been watching an anime series with my daughters, Princess Tutu. We just finished it last night. I can't recommend this series highly enough. And I find that very, very strange.



Princess Tutu is a japanese anime of the shojo, or magical girl, genre.

Magical girl stories feature young girls with superhuman abilities who are forced to fight evil and protect the Earth. They generally possess a secret identity... Magical girls generally obtain their powers from some sort of enchanted object such as a pendant, a wand, or a ribbon. By concentrating on this object, in addition to speaking a special phrase or command in some cases, a girl undergoes an intricate transformation sequence and changes to her fully powered form. A major theme of magical-girl stories is learning to harness these powers and develop them fully.
The LumpenProf is not really the target audience for "magical girl" animes -- I'm a few decades too old and the wrong gender -- but I was fascinated by this unlikely story. It concerns a duck that is changed into a girl, who can then transform herself into a magical ballerina who tends to resolve each episode by inviting the antagonists to dance with her -- which sounds like crap, and which ought to be crap, and yet somehow manages to be very, very good instead. Even stranger is the character of Drosselmeyer (yes, the mysterious uncle from the Nutcracker) who is the author behind the story and who intrudes every now and then when things are not tragic enough for his characters to suit his tastes. Mixed into these Western ballet motifs are some thoroughly Japanese mythologies as well of soul-stealing crows and a ballet-teaching cat who threatens to marry the young girls in his class if they don't practice and pay attention. It makes for a wonderfully disorienting mix.

This series is so much more interesting than any Disney fare. The plots and and characters are complex and subtle, even though the basic story revolves around a thoroughly Disney-esque plot of Princess Tutu's quest to restore the lost pieces of a handsome prince's broken heart. It's wonderfully strange. It's also wonderfully strange that the LumpenProf finds himself moved to write about a cartoon of a magical pink ballerina.

I recommend watching at least two episodes before you decide whether you want to commit to watching the entire series. I also recommend watching it with subtitles and the original Japanese voice actors.

Tuesday, January 29, 2008

Obamathon

In all the media coverage surrounding the Kennedy endorsements of Barack Obama, the LumpenProf's own endorsement of the candidate seems to have been lost in the shuffle. So I'll have to settle for just posting this link instead:

Thursday, January 24, 2008

Survivor Issues

“I feel fortunate,” he said, of his position, “and I have survivor issues.” -- Marc Bousquet, author of How the University Works from Inside Higher Ed's Call to Arms for Academic Labor, by Scott Jaschik.
Survivor Issues. That could easily be the title of my entire blog. I resemble too closely the people described by Bousquet and in the various online posts provoked by his recent book (in particular, a headsup from Ortho and posts from Professor Zero and The Little Professor.)



Inside Higher Ed quotes Bousquet:
“Degree holders frequently serve as university teachers for 8 or 10 years before earning their doctorate.... Many degree holders have served as adjunct lecturers at other campuses, sometimes teaching master’s degree students and advising their theses en route to their own degrees. Some will have taught 30 to 40 sections.... During this time, they received frequent mentoring and regular evaluation.... A large fraction will have published essays and book reviews and authored their departmental Web pages. Yet at precisely the junction that this ‘preparation’ should end and regular employment begin — the acquisition of the Ph.D. — the system embarrasses itself and discloses a systematic truth that every recent degree holder knows and few administrators wish to acknowledge: in many disciplines, for the majority of graduates, the Ph.D. indicates the logical conclusion of an academic career.”
This describes me. The one very important difference is that, miraculously, my career didn't end with the Ph.D. and I ended up with tenure after another decade-long soujourn through the adjunct wilderness. And like Bousquet, "I feel fortunate, and I have survivor issues."

You can find more interviews with Marc Bousquet on YouTube.